Accouterments

 


 

Early VA Shot Pouch

 

Most of the hunting pouches made these days are relatively complicated affairs using designs from the early to middle 19th century. If you want a bag that is proper for the 18th century, take a close look at this bag.

 

There are very few examples of hunting pouches from the 18th century.  So, I was fortunate to be able to study an original early Virginia pouch that matches the size and construction of another published (Clash of Empires exhibition catalog, p. 30) pouch known to date to the period of the French and Indian War.  This original Virginia bag was documented by Wallace Gusler in the December 2009 Muzzle Blasts(pp. 4-8).

 

The original one piece pouch is square at the bottom (although the corners look rounded due to use) and stitched up the sides with a very fine stitch very close to the edge. A divider that is open at the bottom serves as a welt between the front and the back of the bag. A pewter flap button is anchored to a stag horn button on the inside of the pouch. The stag horn button was covered by a round piece of leather that served to prevent the user's hand from catching on the button. The flap extends approximately halfway down the front of the bag and has a slight beaver tail shape with a welted edge.

 

The original bag did not have a strap attached and was missing part of the leather at one attachment point. However, there was evidence of a strap stitched to one side and a button hole on the other side. Wallace Gusler indicated in his article that he believed two linked buttons (as in a cufflink) connected the strap to the bag using the button hole.

 

I have made a number of hunting pouches based on this original. I have generally maintained the size and shape but varied the construction (i.e. external vs. internal stitching), the type of strap (i.e. leather vs. woven) and the type of attachment (i.e. location and number of buttons) for the strap. The original pouch actually appears to have rounded corners due to wear, and I made several copies that way before I realized that it was an optical illusion. Even in this very close copy, I still rounded the corners slightly in order to give the bag a finished look.

 

Not having Russia leather which was most likely used to create the original, I created my copy of the original using  3-4oz vegetable tanned cowhide which I stained using vinegar and iron.  This particular bag is just about the same size as the original at approximately 7.25" wide X 7" high. Just like the original, this pouch has a center divider as the welt and is stitched up the sides. I rolled and hemmed the edge of the flap instead of using a welted edge because of the thicker leather that I use. I maintained the same flap button attachment as the original with a stag horn button used as an anchor for a pewter flap button with a leather cover sewed over the internal stag horn button.

 

As for the strap, I attached it in a manner as close to the original as I could ascertain. One end of the strap is stitched to the right side (as worn on the right side), and the other end is attached to the bag using a single small pewter button anchored to another small pewter button on the inside of the pouch. The strap may then be seasonally adjusted using buttonholes in the end of the strap. I have punched four buttonholes for about 4" of adjustment.

 

The original pouch was decorated with stamped stars. Consequently, I made a matching stamp and decorated my pouch in a similar manner, only adding diagonal lines reminisent of English checkering patterns.

 

I attched to the bag a Virginia banded screw-tip horn that might have been available in the Valley of Virginia as early as the French and Indian War. The horn is approximately 15" around the outsite curve with a 2 3/4" base plug. The base plug and stopper are turned walnut with the base plug attached with wooden pegs. The screw-tip and band are horn. The screw-tip is dyed to match the walnut. Hand forged staples are installed in the the base plug and throat for the attachment of the hangers. The hangers are attached to the bag strap with buttons just as the strap is attached to the bag. The horn is dyed yellow with aquafortis and appropriatedly aged.

 

As with all my recreated pouches and horns, I try to made them look used. That means adding wrinkles, puckers, a few cracks, some stains and blemishes, and a bit of dirt and oil. I try not to overdue it so that the function of the bag is compromised.

 

You might think that this bag is too small at about 7" square.  I can assure you that it is not.   Period documentation indicates that most longhunters carried hunting pouches of this size.  They would just carry what they needed to shoot the gun. This generally meant a bullet mould, some bullets, patches, tow, and a wiper. A powder horn and powder measure with a vent pick and brush were generally hung from the strap. 

 

In my bag, I keep some tow, a strip of pre-lubricated pillow ticking, five balls, two flints wrapped in leather, and a turn screw of some sort.  This bag is plenty big for that. I hang a pan brush, vent pick, and powder measure from the pouch strap.    I hang a small knife around my neck in a neck sheath.    This is certainly all you need for a day of hunting and more than you need to carry to the line when shooting at the range.

 

Being a pretty standard early design, I can make a number of variations of this bag that would be right from the French and Indian War to the early 19th century. Just ask for a quote on what you want.

 

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    Bag6 Front

 

Bag 10 Back

 

Horn 6 Front

 

Horn 6 Top

 

 

Southern Heart Shaped Shot Pouch and Horn

This bag was copied from pages 18-19 of Jim Webb's Sketches of Hunting Pouches, Powder Horns, and Accoutrements of Southern Appalachia. I made the bag exactly as shown, 7.5"wide x 7.5" wide, using 3-4oz vegetable tanned cowhide and linen thread. The bag consists of a one piece back and flap with a front panel attached via a 1" gusset that goes around the entire bag and attaches to the strap. The bag is assembled such that the flesh sides are stitched together without a welt, and the bag is not turned. This results in the gusset folding inward. It is an unusual arrangement, but that is how the original was constructed. I used an iron buckle on the strap to allow for seasonal adjustment. The leather was stained with vinegar and iron. The strap is about 60" and can be shortened as much as necessary just by punching new holes for the buckle.

 

The attached horn is based on several original horns from Southwest Virginia. It is about 13" around the outside curve with a 2 1/2" base plug. It is hand scraped and filed with a turned walnut base plug attached using hand forged nails. A turned walnut stopper finishes the horn. The horn is dyed yellow with aquafortis and appropriatedly aged.

 

As with all my recreated pouches and horns, I try to made them look used. That means adding wrinkles, puckers, a few cracks, some stains and blemishes, and a bit of dirt and oil. I try not to overdue it so that the function of the bag is compromised.

 

I can make this bag and horn faily quickly, so let me know if you would like a quote on one.

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Bag 11 Front

Horn 7 Front

Horn 7 Top

Colonial Powder Horn

 

This powder horn was made from a raw horn in a late colonial style.  I scraped it down, carved and filed the spout in the traditional manner.   The plain domed base plug was carved from pine and held in place with wooden pegs.  I turned the stopper from a scrap piece of curly maple.  The stopper was stained with aqua fortis, and the aqua fortis was used to age the horn giving it the golden yellow color.   Just like with staining wood, you have to apply heat to the horn to activate the aqua fortis and get that nice yellow color.  The spout was dyed with dark brown Rit dye.   Walnut hulls would probably have been used originally and I intend to switch to natural dyes in the future. The schrimsaw is not a copy of anything in particular, but something to my liking using period motifs. I had left the horn plain for some time and then decided that it needed some embellishment. I just wish I had done a better job of executing the design. The strap is from Shayna L. Matthews ( www.fiberwoodart.com ). I like her work quite a bit and have bought several straps from her. If you are interested in a horn like this, e-mail me for a quote.

 

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Horn2

Horn2Back

Horn2Top

 


This page was last updated on 5/2/10

Copyright 2010 by Mark E. Elliott